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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。同年同月同日出生的三个孩子，机缘下成了没有血缘的兄弟姐妹。虽然同一天生日，同一个屋檐下成长，他们却性格迥异。也因为原生家庭的影响，他们在面临爱情、家庭或个人的问题上，都有各自的考量，而不同的抉择也造就了往后不同的命运。经历生活的种种磨练后，他们能否重新审视家人之间的关系，将心比心，与过去达成和解呢？。【作品情报】 《飞轮少年黑之羽和沉睡森林》OAD化发售日期未定 【CAST】 监督·分镜：石平信司人物设定：堀内修脚本：前川淳美术设定·道具设定：ロマン·トマ、ルガル·ヤン 机械设定：ブリュネ·スタニスラス 美术监督：吉川洋史色彩设计：篠原爱子摄影监督：山根裕二郎编辑：冈祐司动画制作：SATELIGHT 【CAST】 南树：冈本信彦野山野林檎：户松遥皇杞枢：福井裕佳梨希姆：川澄綾子左安良：杉田智和奏音：梶裕贵二条木实：高垣彩阳旁白：青山穣 【主题曲】 片尾曲：《Forest walker》 演唱者：a flood of circle。