入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc....。故事發生在20世紀夏威夷咖啡田的背景下,關於一個超越種族和階級界限追求禁忌之愛的年輕人的成年旅程。