The most famous film by theorist and filmmaker Trinh T. Minh-ha is an intricate collage of the experiences of generations of Vietnamese women, both in Vietnam and the United States, weaving together archival footage, testimonies, reenactments, poetry, and folk songs. This convergence of voices rejects endorsing a dominant narrative, instead questioning the concept of nationhood...。周五的晚上,四个人被困电梯,他们必须自己想法脱身....。