羅馬尼亞新浪潮悍將培訏(《耐人尋味的追悼晚餐》,41屆)再向高難度挑戰。大地主的華麗莊園,請來客人留宿,屋外冰天雪地,室內討論熾熱。在飲飲食食之間,是連場對話,辯論宗教、戰爭、道德與死亡,觀點開始劇烈碰撞。仍是培訏的招牌長鏡頭,幾年前他取材俄國哲學家索洛維約夫的文本,以即興方式演繹成《三個道德練習》(38屆),這次忠於原作,重構時代氛圍,考究人物談吐方式,鑽研服裝佈景細節,徹底回到文本的過去式時態。。Genre cinema lends itself to fruitful experimentation and Vourdalak is a prime example, offering ample opportunities for it along with dark, profound chills and a delightful Gothic atmosphere. A father returns from the war to his children (now as a vourdalak), dead yet alive, while simultaneously, an envoy of the King of France arrives at their secluded forest home. Profoundly ...。这个新项目围绕一名倒下的高级警官和一名有抱负的年轻检察官展开,他们有两个截然不同的动机去打开一个已经结案的谋杀案。但当他们这样做时,结果却是潘多拉的盒子。由于血腥的痕迹似乎导致他们越来越深入到警察和司法系统,双方都怀疑这是一个阴谋。还是这一切都要追溯到18个月前震惊全镇的恐怖袭击?。